Inette Miller has the distance and detachment of a journalist trained to see the big picture—and the heart of a woman who understands what it is like to be “the other.” It is these differing perspe
“Even if he is acquitted, Springora has managed to exact some revenge by capturing G, and all of his terrible behavior, forever in these erudite, incriminating pages.”
“Balancing and mixing, with rhyme and reason, love and anger, good and bad, memory and the created present, all to tell the story of a life, a memoir unrestrained, devoid o
“Everyone can benefit from learning how a resilient woman deals with the universal experience of losing someone and learning how to keep the person’s memory alive while becoming reattached
“Apolitical at the time, Wolkoff now acknowledges that ignoring what bad politics does to real people is one of the things that sucked her down the rabbit hole.”
The title echoes Virginia Woolf’s non-negotiable insistence that a woman writer needs a “room of one’s own,” and at the same time reflects one of the academic detours that Rita Colwell took when bl
“Kerri Arsenault’s portrayal of the devastating impact of unregulated capitalism on the lives of poor, mainly dark-skinned people is a serious indictment of the American way.”
“This is not going to be a standard memoir. We’re just hitting the highlights. It’s a series of quick look-ins, revelations. It’s an aperçu of Alex Trebek, human being.”
Alysia Li Ying Sawchyn taught students about “ethnicity, gender, sexuality, ability, class, age” but not mental illness. She is a person of color and a woman. This the students can see.
“Taylor’s memoir explores the friendship between two men who think of themselves as Jews, and who behave in ways that seem intrinsically Jewish and quintessentially New York, though one doe
