“Environment reminds us that our patterns of production and consumption are often desperately destructive.
Taking Time is absolutely not solely about fashion, nor is this a glossy photography book centered on the oeuvre of the late great Azzedine Alaïa.
“Read slowly to keep from flailing. Ortberg’s writing will wait for you to catch up.”
“This book’s strongest message is one of hope.
A Fool’s Errand by Lonnie Bunch III is a literary combo. It’s a book about a man, a building, and a race. This is a book that needed to be written.
“Beautifully bound and artistically illustrated, this volume is one the writer of vampire tales or any other paranormal genre will wish to keep as a source for future refer
“for anyone looking to understand Mike Nichols, his working methods, and impact on American culture, Life Isn’t Everything is a good place to start.”
“a clear-eyed portrait of the realities of the arts scene of the era.
“Fully Automated Luxury Communism is an accessible, intelligent, and profoundly optimistic text with the potential to spark a revolution.”
In Chuck Klosterman’s “Tell Don’t Show,” furious ad executives shriek out what might be the premise of Raised in Captivity as a whole: “the consumer will extract from the story we construc
"There was a feeling of immersion into a vastness of humanity, of what seemed to some the beginning of a new age."
For probably the silliest of reasons I wanted to review this book on one of New York City’s great landmark hotels, The Plaza.
As a rule, museum fashion exhibits have centered around a facet of fashion that is either tangible, immediately recognizable, or something definitively specific that really doesn’t require any sort
For as long as fashion has been recorded, there has always been one topic that is ever present and it is whether or not fashion is an art.
“[W]hat the author does is make a cohesive thesis here and amend, bolster, ratify it with the intelligence and findings of others. The whole is his, and his alone.
“White is a refreshing read because it’s just so full of rage.
“This excellent collection of scholarly essays varies in scope and subject matter, but what ties them together is a collective appreciation and admiration for the seminal 1968 album The
“Lynch’s art is like his films: unconventional, dark, bizarre, and expressive.
"Some stories are better than the books written about them and, sadly, this is one of them."
These are the first words you read upon opening this book:
“I got the Simpsons job the same way I got a wife,” writes Mike Reiss. “I was not the first choice, but I was available.”
This book is a grand rollercoaster ride through a brief but significant moment of U.S. history, one that America will not likely witness again.
“This collection would make a great item to place on some deep space probe for other intelligent life to use to learn who and what we are.”
In Algorithms of Oppression, Safiya Umoja Noble clearly explains how search engines, used by billions daily, are not an innocent, neutral vehicle by which to search for information.
If Mary Shelley’s Frankenstein, first published in 1818, is indeed a novel more talked about than read, as Sir Christopher Frayling suggests in Frankenstein: The First Two Hundred Year