“a marvelous volume that introduces the reader to the wide variety of American writing and literary thought of the last two centuries of our nation’s history.”
Nearly two dozen outstanding articles on climate change, just in time for the U.S. return to the Paris accords. Now, what?
“A challenging read that illuminates harsh truths of our time.”
Though Tom Zoellner’s The National Road: Dispatches from a Changing America came out at the end of this unprecedented year, it is unlikely that even the author could have imagined the “cha
Foreshadow: Stories to Celebrate the Magic of Reading and Writing YA is a fantastic book. Full stop.
“Mishra’s astute and engaging book should . . . be seen as a warning.”
“Engaging and provocative, Diamond’s encyclopedic meditation will certainly help readers—no matter where they live—think about what lies ahead for the outlying areas of our cities.”
“This is a very good read, especially at introducing writers at all levels to authors they may want to know more about.”
“The best part of Essays One are the many poets and authors Davis considers influences, these will be useful for Davis’ admirers
“Places I’ve Taken My Body is an unblinking personal journey that takes us to places we all need to know and understand better.”
Alysia Li Ying Sawchyn taught students about “ethnicity, gender, sexuality, ability, class, age” but not mental illness. She is a person of color and a woman. This the students can see.
“I Don’t Want to Die Poor is an excellent critique of the way that our society encourages people to try for more, and then punishes them for doing so.”
“Read slowly to keep from flailing. Ortberg’s writing will wait for you to catch up.”
“If Battle Dress is any indication of what’s to come next from Skolfield, readers should expect yet another masterfully rhythmic, morally gut-punching, timeless book of poetry.”
“Although there are times when Chong gets a bit wordy and perhaps repetitive, her overall take on book reviewers and their work is well organized and informative.
“a superb chronicle of marginalization, a collage depicting a continent-sized country still finding its way nearly 200 years after independence.”
How well does Paul Krassner’s brand of humor hold up? Is there still bite in his barbs, and do his words still generate laughter?
“Mr. Know-It-All is an argument for deviance, performance, and shock.”
This is a book review of The Bad Side of Books: Selected Essays of D. H. Lawrence, edited and with an introduction by Geoff Dyer.
“Beautifully bound and artistically illustrated, this volume is one the writer of vampire tales or any other paranormal genre will wish to keep as a source for future refer
“Daniel Mendelsohn fulfills his own criteria for good criticism. His erudition is always impressive, but one never feels that he is showing off.
“Coventry marks a return to a more conventional style of writing, yet retains that same sense of an alert, engaged intelligence, negotiating the complexities of women’s lives and i
“For the writers of this anthology, personal essays are political acts. . . . it’s an accessible, engaging book . . .”
In Chuck Klosterman’s “Tell Don’t Show,” furious ad executives shriek out what might be the premise of Raised in Captivity as a whole: “the consumer will extract from the story we construc
“Lebanese-British journalist Zahra Hankir has gifted us with these women’s experiences and their voices.”