“Simon Hall captures Castro’s action-packed September 1960 New York sojourn in rich and compelling detail, and argues persuasively that its repercussions echoed deeply in the decade to come
“if you killed the right people, people who were poor, non-white, and who didn’t have anyone to speak up for them, you could literally get away with murder.
Italian TV, March 22, 2020, showed more than 30 Cuban health workers in Italy for corona virus. They hold a picture of Fidel Castro, dead three years.
“Walter Ralegh is a brilliant biography of a true one of a kind.”
Xenophobia has had a long and sordid history in this country, as admirably pointed out by author Erika Lee in the text.
When someone says, “She’s a lesbian, but really nice,” the “but” reveals unfair bias. Jonathan Hansen’s “revisionist” account of Fidel Castro is of this sort.
“Werb deftly captures the grim void of life among the disposable human detritus of a state governance apparatus more interested in its own power and enrichment than the lives and livelihood
Appropriately, given the current challenges faced by women of color, the last few years have seen a resurgence and a reclaiming of the contributions of non-white, non-binary feminist poets.
“Blanco’s power as a poet lies in the singular intimacy, structural craft, intoxicating imagery, and inner rhythms of his verse.”
Tony Perrottet intends his well-researched Cuba Libre! to be “entertaining and readable, unsaturated by ideology.” He succeeds in the first but not the second. Perrottet doesn’t discuss i
“OIivares makes us laugh, cry, and empathize with immigrants grappling with conflicting identities and often unwilling hosts.
T. J. English’s newest look at the American criminal underworld, The Corporation: An Epic Story of the Cuban Underworld, has a unique genesis.
In Prisoner of Pinochet, Sergio Bitar describes harsh imprisonment after the U.S.-backed coup against Salvador Allende in 1973.
Guatemala, a small post-colonial state that is not so post.
Jules Dassin’s classic film noir of New York, The Naked City, was released in 1948.
“Americans interested in Mexico will be fascinated by his astute analysis of the machinations of the Mexican mindset and mannerisms. . . .
“Yoani Sanchez is a remarkable woman.”