“Solie's poetry is as refreshing as are the words of lovers who meet for the first time and etch their hearts in the stone of the Caiplie caves.”
“Klink is a vatic poet, a seer not just of the body but of bodies in relationship to one another, bodies in relation to the natural world, to the universe both inner and outer.
Audubon’s Sparrow is a unique book, a biography in poems of John James Audubon’s wife Lucy Bakewell.
"Montale generates a new world of radiant objects and ideas in his long poetry career."
“The substance behind Shrapnel Maps is substantial and groundbreaking, and poet Philip Metres has created a compelling work within its covers that will bring a new view to everyone
“Ledger records Hirshfield’s most intimate sentiment as she navigates her surroundings, some of which are so profound that words cannot describe them.”
“A Nail the Evening Hangs On is fiery, trauma-stricken, tender, and complicated.
“John Sibley Williams’ poetry gives us hope we can, indeed, get out of the way, if only for the moment through the poet’s words and voice, in short, his song.”
“travels beyond faith into politics and the soul.”
“For over 30 years, Sharon Olds has been writing poems about the unspeakable: bad love, great love, death, childbirth, child abuse, illness, oppression, rape, racism, violence, and sexism.”
“Balaban satisfies all in this collection of permanent memories, memories of war, showgirls, coyotes, and so many more.”
“Graber’s great achievement in this masterful collection is that though we never feel the same life flowing twice through any one of her poems, we profoundly feel the myriad ways we are con
“Eve L. Ewing has achieved what the historian cannot. She has restored the blood and sweat to the historical record of a tragic moment in the history of the nation.”
“Skaja knows exactly how to engage nature, readers, and life.”
“priceless . . .
"Bukowski tells us: 'Drinking is a form of suicide where you’re allowed to return to life and begin all over the next day.'”
Readers of poetry and listeners of classical music share something in common: each must engage in a push-pull to extract maximum benefit.
James Magee is renowned for his remote architectural sculpture, most famously “The Hill,” which he has been creating for 40 years or so on 2000 acres of land he owns outside of El Paso, Texas.
“Bly writes with a naturalist’s eye and sage view to derive permanent human emotions from natural beauty. . . . an honor to read.”
“Either the world will burst through the pipes and walls, or weltschmerz will pull our beautifully-arranged bookcases down around our ears.
“this thoughtfully selected span of Gunn’s poetry is not only an immensely pleasurable read but also a master-class in poetic form.”
“gorgeous collection of complex poetry.”
A. E. Stallings’ reputation as a poet is already established. She has the distinction of being a McArthur Fellow (2011), that peculiar laurel that bestows “genius” on the recipient.
“Buck’s poems are startling, insightful, and inscrutable. The reader may conjecture what the poems mean but without the comfort of ever knowing. That’s good poetry.”
Katie Ford’s fourth book, If You Have to Go is full of wounded, distrustful, deeply inward yet insistent verse that, from the very first line of the first poem, seems to push readers away—