Theatre

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The reviews are in. Vigorous. Exuberant. Boisterous. Energetic. Not the usual words used to describe coming-of-age-poor memoirs such as My Broken Language.

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“‘Don’t you have to be born with a voice?’ it was as if my mother had cast a spell on me that I spent a lifetime trying to break.”

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Hermione Lee’s biography of this celebrated playwright spans the six decades of his career.

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Mike Nichols: A Life is an invaluable contribution to the history of American theatre and film since World War II as well as a colorful portrait of one of its most celebrated and

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Curzio Malaparte is pictured on the cover at his desk with official-looking papers wearing a satin mask and indeed, his many masks are (in)visible in A Foreigner in Paris, newly translated

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“Rifkind’s The Sun and Her Stars is a thoroughly researched and dimensional biography of this fearless humanitarian in a perilous time.”

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Elaine Stritch was the Broadway belter with a foghorn in both musicals and straight drama—from the caustic Joanne in Sondheim’s Company to the tragic Martha in Who’s Afraid of Virginia

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Ivo De Figueiredo has written several books on the life and work of Henrik Ibsen, and his latest and most comprehensive portrait of the larger than life man, his times, and his singular creative jo

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John Lahr just won the National Book Critics Circle Award for his penetrating biography of Tennessee Williams.

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“Buskers is . . . an affirmation of all [the Weinsteins] have endured to get where they are and an inspiration to aspiring musicians everywhere.

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“Sitting Pretty is filled with enough anecdotes to keep movie fans happy and intimate details enough for gossip fans as well.”