“So much evil,” says Lisbeth Salander. She says this not in fear, but as if in stunned wonder. Wasp is bound by the coils of evil which flex, painfully and slowly squeezing the life out of her.
At first glance, the timing of New York Review Books Classics’ rerelease of Helen Weinzweig’s Basic Black with Pearls is almost as intriguing as the novel itself.
In her oversized new picture book newcomer Ami Shin, a recent and celebrated graduate of the Cambridge School of Illustration based in Korea, is taken with London architecture.
From the design table of Marianne Dubuc comes a wordless picture book, The Fish and the Cat, to add to her illustrious collection of a dozen-plus picture books.
“Amos Decker novels just keep getting better and better, and it’s partly due to the careful in-depth characterization Baldacci gives his main character.”
It is said that imitation is the purest form of flattery. Be that true, the question becomes what hold does a feeble imitation of a literary classic have on flattery.
“The Folded Land reveals a landscape in which both magical creatures and humans display their weaknesses and strengths, revealing why these two beings are equally fascinated by and
Lincoln Rhyme and Amelia Sachs return to New York City in Jeffery Deaver’s new novel, The Cutting Edge, in which Manhattan’s diamond district is gripped by terror.
