“So much evil,” says Lisbeth Salander. She says this not in fear, but as if in stunned wonder. Wasp is bound by the coils of evil which flex, painfully and slowly squeezing the life out of her.
Although Jonah Goldberg’s Suicide of the West borrows its title from James Burnham’s 1964 classic, it has more in common with Burnham’s The Managerial Revolution (1941), The M
