“Bill Cunningham was a New York institution, part of what made NYC the fashion capitol of the world.”
“Forget your fishnet fantasies and take the rose out of your teeth,” Meghan Flaherty tells us in the prologue to her memoir Tango Lessons.
By all appearances, the Bernsteins were a loving family.
Van Gogh and the Seasons is everything one would want in a Vincent van Gogh monograph and much more.
Salvador Dali wasn’t the founder of Surrealism, the cultural movement that spread from Europe to the Americas in the 20thcentury. Andre Breton was the founding father.
Reviewers can’t seem to get enough of Middleton’s Double Vision.
"Martin Kemp takes us on this great personal journey of adventure in exploring the art of Leonardo, and we are so much the better for it."
The crescendo for Duncan Hannah’s Twentieth-Century Boy takes place in February 1976, more than 100 pages before the end, and four years before the legendary 1980 Times Square Show when hi
Richard Avedon was the most famous fashion photographer in the world, but for much of his life struggled to be taken seriously as an art photographer.
“this isn’t the usual tearjerker cancer story. It is a gleefully offensive cancer story. It is the Blazing Saddles of cancer stories.”
In the Beat Generation tribe, Robert Frank was the odd man out.
“The way we conceive of art traditionally, and how it is intrinsically linked to drawing, design, and painting, owes its popularization, if not its origin, to Vasa
Ink & Paint, The Women of Walt Disney’s Animation by Mindy Johnson corrects the misguided perception regarding women’s lack of contribution to the animation industry.
“A corrective look at Leonardo’s first 27 professional years when he was snubbed, struggled, and departed Florence thwarted and penniless.”
Of Dogs and Other People: The Art of Roy De Forest does a wonderful job of presenting both the person of Roy De Forest and the artwork he created.
“a remarkable job of taming a wealth of loony and preposterous Dalian information into a fun, well presented, and entirely manageable package.”
In The Pen and the Brush, the versatile biographer Anka Muhlstein explores some of the complex and fascinating relationships that have existed between painters and novelists.
Gerhard Richter is a painter.
William Merritt Chase (1849–1916) is a pivotal figure in the history of American art. He was a contemporary of James Whistler and John Singer Sargent.
Journalist Tom Di Nardo started his career as a freelance critic at the Philadelphia Bulletin as a side gig to his day job and was later a longtime contributor the Philadelphia Daily N
“Ross King does an exemplary job of bringing Claude Monet back to life.”
Rachel Corbett is editor of Modern Painter magazine and her arts coverage appears in The New Yorker and The New York Times.
“an entirely convincing portrait of an entirely unconventional and brilliant individual.”
Richard Bellamy was the 60s visionary who championed the new wave of American abstract expressionists and who had the first eye for pop-art, minimalism, and performance happenings in the fabled Gre