”Vienna 1900 Complete [is] a formidable, comprehensive, well-rounded collection of design and artwork from a pivotal point in modern history.”
“addresses the evolving nature of art, who is considered an artist, and how to incorporate these treasures into our own personal, cultural, and national identities.”
The Columbus Museum of Art commemorates the centenary of The Harlem Renaissance with an exhibit titled I Too Sing America, which is also the title of the beautifully curated companion book
A good superhero needs a great storyline to make an impression on his/her readers.
“Compliments to Krysa for recognizing the greatness in these women.
“a conversation loaded with details, ideas, analyses, and a profound understanding of a moment in American literary history and the people who lived it.”
One of our era’s most popular artists and a leading art critic take us on a tour from cave paintings to computer drawings.
“it is projects like Rembrandt: Painter as Printmaker that will continue to add to the collective intrigue.”
“The Grand Medieval Bestiary feels magical, valuable, and important.”
“Even within its self-imposed limitations this book could have done much more justice to its allegedly dangerous subject matter.”
As a reviewer and reader there are issues that need to be considered before one attempts to read When Études Become Form, chief among them would be that no fashionphile that was asked abou
Alexander Calder: From the Stony River to the Sky is the catalog publication that accompanies an art exhibit by the same name, staged in rural Great Britain, 150 miles west of L
The Still Life Sketchbook is essentially a blank sketchbook with outstanding illustrations designed to inspire and stimulate productivity in the budding artist.
“Classy and scholarly, punchy and approachable, Jean Dubuffet and the City demonstrates what future research and curating could offer to the next generation of art history publicat
"Beard avoids the temptation to lecture on what the author imagines as the meaning of the image.
Published to coincide with the first major Berthe Morisot international exhibition in decades, if ever (this is, in fact, the first exhibition of its kind to be held in Canada), Berthe Morisot,
John S. Dixon seems the perfect person to write The Christian Year in Painting as an art historian, professor, and the arts correspondent for a Catholic newspaper.
Sargent: The Masterworks is a beautifully illustrated biographical narrative of the American Impressionist painter John Singer Sargent (1856–1925).
A dream come true. This is what Frank Verlizzo, aka Fraver, has been living.
Salvador Dali wasn’t the founder of Surrealism, the cultural movement that spread from Europe to the Americas in the 20thcentury. Andre Breton was the founding father.
Edward Sullivan’s Making the Americans Modern is a highly academic study of art work during this particular 50-year period in history.
Robotic Existentialism: The Art of Eric Joyner is a playful fantasy picture book that celebrates the “what if” of robots having free rein to live “human” lives.
“thought provoking and interesting.”
Our vision of the tumultuous history of Europe in the 15th and 16th centuries has become inseparable from the flourishing of Renaissance art, particularly the outpouring from such Italian masters a