“Wes Anderson: The Iconic Filmmaker and His Work is a satisfying book that will deepen enjoyment of watching (or rewatching) an Anderson film for any fan.”
Start Oliver Stone’s extravagant autobiography by reading the “contents” that lists ten chapters, including “Downfall,” “Waiting for the Miracle,” “South of the Border” and “Top of the World.”
Sam Wasson’s biography of Bob Fosse was an engrossing portrait of a complex artist and man. It was also a fabulous read, so fast-paced that it felt like having a three-week affair with Fosse.
“Nearly 40 years after his death, Hitchcock still is a formidable influence on today’s movie aesthetics, a factor Paul Duncan emphasizes on every page of this book.”
“Throughout his moviemaking career, Hughes relentlessly worked the Hollywood system to fuel his ego, his libido, and his ambition, but in the end, he was undone by his own paranoia.
Pulitzer Prize-winning former Washington Post reporter and journalism professor Glenn Frankel has found a new calling as an incisive interpreter of classic Western films.
This is a coffee table book. It's that simple. An oversized hardcover that sports a garish and sickly yellow-green dust jacket with a landscape scene of the undead walking through a field.
“When it comes to memoirs, things don’t get more heartfelt than this. And when it comes to storytelling, few could match the humor, passion, and humanity of these pages.
“From page 435 onward, Spencer Tracy is an excellent biography indeed, albeit one that would have benefited greatly from losing at least a good 200 of those first 400 pages. . . .
