“Although the structure of Intimate Wars and the attention so deeply focused on the author seems frequently purposefully ego-centered, it is abundantly clear that Merle Hoffman car
In Mary Tudor: Princess, Bastard, Queen, Anna Whitelock sets out to offer a picture of English first Queen Regnant as something other than the “weak-willed failure as so often rendered by tradition
(Little, Brown and Company, September 2006) The Beautiful Fall has been classified “pop culture” but it is more much a chronicle of the parallel lives of two of the most famous designers of
In Mary Tudor: Princess, Bastard, Queen, Anna Whitelock sets out offer a picture of English first Queen Regnant as something other than the “weak-willed failure as so often rendered by traditional