Appropriately, given the current challenges faced by women of color, the last few years have seen a resurgence and a reclaiming of the contributions of non-white, non-binary feminist poets.
“He who learns must suffer.
“Landau’s deft touch allows her to shape poems of subtle nuance and strength, poems that build paradox upon paradox . . .”
“In that larger tradition of transcendent art, if we let them into our hearts, these new poems from Jericho Brown will awe and unsettle us.”
“this is a book by a talented teller who tells his tales with love for his reader, cleverly but responsibly (never cheating literature), the beauty and imagery of the verse providing a thor
“perhaps Dawson is a gardener, gently lifting away weeds and leaving the reader ready for the seeds she will sow.”
“Bly writes with a naturalist’s eye and sage view to derive permanent human emotions from natural beauty. . . . an honor to read.”
“How the End First Showed is not merely a collection of Nigerian poems, it is an effort to forge transnational literature.”
“The natural and gritty images paint dynamic landscapes that balance myth and reality.”
In the September 26, 2002, issue of The New York Review of Books, in an article rather marvelously entitled “The Queen of Quinkdom,” Margaret Atwood tackled Ursula K. Le Guin.
“littered with genuinely brilliant poems. They could lure disenchanted rationalists back to poetry. They might ignite a new movement in a culture. They are wonderful.”
“This is deep music and clear, as the poet carries us to those places in the heart that ground and guide us.
Reading Ezra Pound can be a demanding experience as he often slips into French, Spanish, Italian, or ancient Greek—using the Greek alphabet of course.