“For Gervitz, Migrations is both a life’s work and a memory palace, a narrative pilgrimage through the lens of her own experience that is both alive and dead, both past and future.
“does a marvelous job of presenting this nearly forgotten military action in the context of early 20th century of Mexican and American politics . . .”
“Plokhy writes that instead of mastery and clear-headedness, President Kennedy and Soviet leader Nikita Khrushchev ‘marched from one mistake to another’ during the Cuban missile crisis.”
“Chomsky wrote Central America’s Forgotten History because ‘most US Americans, even those who decry the abusive treatment of immigrants, remain blissfully oblivious to the historie
“Simon Hall captures Castro’s action-packed September 1960 New York sojourn in rich and compelling detail, and argues persuasively that its repercussions echoed deeply in the decade to come
Italian TV, March 22, 2020, showed more than 30 Cuban health workers in Italy for corona virus. They hold a picture of Fidel Castro, dead three years.
When someone says, “She’s a lesbian, but really nice,” the “but” reveals unfair bias. Jonathan Hansen’s “revisionist” account of Fidel Castro is of this sort.
“Werb deftly captures the grim void of life among the disposable human detritus of a state governance apparatus more interested in its own power and enrichment than the lives and livelihood
Tony Perrottet intends his well-researched Cuba Libre! to be “entertaining and readable, unsaturated by ideology.” He succeeds in the first but not the second. Perrottet doesn’t discuss i
“OIivares makes us laugh, cry, and empathize with immigrants grappling with conflicting identities and often unwilling hosts.
T. J. English’s newest look at the American criminal underworld, The Corporation: An Epic Story of the Cuban Underworld, has a unique genesis.
In Prisoner of Pinochet, Sergio Bitar describes harsh imprisonment after the U.S.-backed coup against Salvador Allende in 1973.
Guatemala, a small post-colonial state that is not so post.
Jules Dassin’s classic film noir of New York, The Naked City, was released in 1948.
“Americans interested in Mexico will be fascinated by his astute analysis of the machinations of the Mexican mindset and mannerisms. . . .
“Yoani Sanchez is a remarkable woman.”