Why write about music? It’s a fair question for an aural art form.
“Port establishes Leo Fender’s unique perspective on the world of electric noise he helped create, as he innovated and borrowed and cobbled his way to the world’s first production-model sol
Tom Smucker loves the Beach Boys, though he’s not in love with them right now.
Author Thomas Brothers tries mightily in this dense but insightful book to tie his thesis together, namely that two of the biggest musical geniuses of the 20th Century—Duke Ellington and The Beatle
In one of the early chapters of this handsome book—as visual and colorful as a magical mystery tour—the authors have a double-page spread titled “Before the Beatles.” It details all the different b
Paul Simon: The Life is not an autobiography but it might as well be. Simon sat for more than 100 hours of interviews with respected writer Robert Hilburn and made it possible for Hilburn
Ann Powers is one of music’s enduring rock critics, emerging on VH1’s “Behind the Music” in the late ’90s with a shock of orange hair, an ironic yet warm affect, everybody’s cozy hipster big sis.
“a fascinating dual study that rescues a large chunk of musical history and well as pulling the curtain back on the operatic political drama.”
Some people are smart. Like “Jeopardy” smart, right? All kidding aside, everyone knows someone who would be their go-to first-pick for Trivial Pursuit.