Koa Beck’s book, White Feminism: From Suffragettes to Influencers and Who They Leave Behind, comes with a rather double- or even triple-edged endorsement from Gloria Steinem; “Don’t judge
“The Women’s History of the Modern World revolves around certain women heroes, ‘every one in search of an identity, a new life, and a means to throw off the chains
“The victories of the Civil Rights Movement, the women’s movement, and the triumphs of progressives throughout the 20th century find their origin in the housewives of the Lower East Side an
“Few other books reveal the fascinating inner journey that transformed Eleanor from an emotionally choked-off young woman into a mature leader who inspired millions.”
What if Jane Austen could write meticulous diplomatic history combined with a social portrait of American and British aristocracy? The product might resemble The Daughters of Yalta by Cath
“Rubenhold does a commendable job in bringing these women on stage and through their stories illuminating the appalling reality behind the veneer of Victorian complacency.
The author begins this book “hip-deep in the chaos that is modern American motherhood” but hastily clarifies that, while her own experience provided the impetus to write the book, it is not autobio
Ink & Paint, The Women of Walt Disney’s Animation by Mindy Johnson corrects the misguided perception regarding women’s lack of contribution to the animation industry.
Coverage of women’s contributions to the struggle for Irish independence early last century harps on two names: Maud Gonne and the Countess Constance de Markievicz.