Hollywood in the studio era was devoted to the definition and production of glamour, particularly for the large female audience, accomplished not only through the female stars the studios developed
“That Carriere manages to exceed those expectations and write with such clarity about the darkness that consumed much of her young adulthood is a gift . . .”
“Improbably, perhaps, for a work of music criticism, Kick Out the Jams is as revealing a first draft of history from those cumulatively calamitous three-and-a-half decades as you’r
“From a rich body of literature, Ostler mines material for this special history of the United States with the stories and reasons for creating the uniquely American language.”
The author, herself bisexual, undertook the book “to bring the colourful world of bi-sexual scholarship out of the shadows” and to show that bisexuality “is a normal part of sexuality,” an ambition
“Throughout these pages, I’m going to (politely) refute the claim that Southern food is all bad for you and hopefully breathe new life into some tired, worn-out notions,” writes Lauren McDuffie in
“Orit Avishai has infused great passion and time into her research and writing, which shows the reader that a person can be openly LGBTQIA+ and a practicing Jew who can live a joyous, fulfi
“may actually be the best book of his work, celebrating a commercial artist having fun with his assignments before entering the stage in his career that made him one of the great designers
There’s an old canard in the world of poetry that X.J. Kennedy—the now nonagenarian poet whose work is marked by a light touch—never got to be the poet laureate because he was also, well, funny.
“Eilbert’s book is a testament to the act of seeing, of witnessing, of experiencing and still—as in, nonetheless; as in, despite it all—not turning away.”
