The question is not whether director Rouben Mamoulian ever received the credit due him for his myriad contributions to the original production of George Gershwin’s Porgy and Bess (or, for
Kate Christensen’s autobiography Blue Plate Special is remarkable for three reasons. First: The appetites mentioned in the subtitle are yearnings for good food and fulfilling sex.
Some of the best moments in Mary Wickes: I Know I’ve Seen That Face Before come in the appendix following the text in which the author, Steve Taravella, not only lists the many roles that