Actor-writer Simon Callow has published books on larger-than-life figures Oscar Wilde, Charles Laughton, and Orson Welles.
Bob Fosse was a choreographic creative force of nature who invented his own dance genre that changed American musical theater in his time and for generations of Broadway dancers to come.
David Bowie Made Me Gay, Darryl W.
Gold Dust Woman, the unauthorized biography of pop music legend Stevie Nicks, can be read two ways.
Ann Powers is one of music’s enduring rock critics, emerging on VH1’s “Behind the Music” in the late ’90s with a shock of orange hair, an ironic yet warm affect, everybody’s cozy hipster big sis.
“a fascinating dual study that rescues a large chunk of musical history and well as pulling the curtain back on the operatic political drama.”
“Elaine Hayes’ vivid portrait of Sarah Vaughan’s life, times, and indelible musical legacy reveals why she was indeed called The Divine One.”
One of the pleasant interludes in the Cold War was the ecstatic reception that Van Cliburn received at Moscow’s first-ever Tchaikovsky International Piano Competition in 1958.
British classical pianist James Rhodes is a rebel with a cause as he unleashes his iconoclastic view of the vaulted world of classical music in concert halls and on British TV and in the streets an
If anyone would question why musician Bob Dylan was awarded the Nobel Prize for Literature in 2016, the answer is easily found by cracking the covers of The Lyrics: 1961–2012.
The very idea of a high-gloss, pricey photo book about the Sex Pistols seems ludicrous on the face of it.
Seiji Ozawa was a gifted piano student studying at Toho Gakuen School of Music in Japan, but after he hurt his hand playing rugby, he switched to conducting and received a scholarship to study unde
Oral history can be a tough genre to enjoy; it is by nature disjointed and often suggests an author is lazy.
Generally, books about the Beatles can be divided into two groups, either the all-encompassing history of the band (Tune In by Mark Lewisohn is of course the best example but far from the
Paul Du Noyer has set himself up with this book because, honestly, what else is there to say about Paul McCartney?
Teenagers who heard the Wilson brothers—better known as the Beach Boys—harmonize on their big hits, “Surfin’ Safari,” “I Get Around,” “California Girls,” and “Good Vibrations” in the early 1960s, p
Every now and again a book falls into your lap that refuses to be ignored. Your fingers, seemingly with a mind of their own, open the cover and begin to turn the pages.
Unsurprisingly, there have been numerous collections of photographs and thousands of words published about Led Zeppelin.
The journalist, biographer, and Rolling Stone contributing editor Rob Sheffield calls David Bowie a lot of names: tramp, vagabond, and “the most alien of rock artists” to name a few.
Without scholars and writers like Albert Murray, Sam Charters, Paul Oliver, John Work, and Alan Lomax—all of whom explored the essence of American blues, jazz, and traditional music—we would be a l
Imagine being Moby, the musician who just happens to be an actual descendant of Herman Melville (which is where Moby gets his nickname, get it?), and you’re asked to write your memoirs without the
Writing an all-encompassing book about the life of Paul McCartney is akin to writing the definitive biography of Jesus Christ.
Fans of Verdi's opera La Traviata and readers who enjoy biographies of courtesans won't want to miss this gem by Rene Weis, a regular contributor to the Royal Opera House programs.
“A rewarding collection whether read straight through or sampling here and there.”
It may not seem as if sonnets and pop songs would go together, but Didriksen proves quite well that they do.