Leonard Bernstein 100: The Masters Photograph the Maestro

Image of Leonard Bernstein 100: The Masters Photograph the Maestro
Release Date: 
December 17, 2018
Powerhouse Books
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“This is a book that is read once, and then once again, and again—each time gaining new insight into a true maestro.”

Leonard Bernstein 100 by Steve J. Sherman with Jamie Bernstein, is a love affair between Leonard Bernstein and the camera, with invaluable information about the maestro’s life and career.

Sherman’s preface gives the reader insight into Bernstein as his life joined forces with the camera and the various people who were fortunate enough to make the connection between the two as Sherman explains, “In what would have been Leonard Bernstein’s 100th birthday year, this book commemorates the excellent photography that documented his life.”

The book is limited to 100 frames; so many people are left out in order to focus attention on Bernstein as he progressed through his life and career. Sherman’s respect and admiration for Bernstein is clear: “Lenny surely had his flaws, but somehow he never disappointed.”

This sense is brought to light through a “trialogue” between Alexander, Jamie, and Nina Bernstein and Steve Sherman, as they discuss everything from lobster to anxiety, (Bernstein as) a composer, enjoying fame . . . even through activism and education. This book opens the door to the maestro as nothing else can.

In the beginning, the Early Years show Bernstein from his birth in 1918 through 1943 with one of the earliest photographs of him conducting (1941) a rehearsal at Lewisohn Stadium of the Lewisohn Stadium Symphony Orchestra (aka the New York Philharmonic).

His Rise to Prominence (1944–1956) moves the reader through small moments in his life including with “lifelong friends Jerome Robbins, Betty Comden, and Adolph Green, as they work on On the Town.

Here the diversity of Bernstein’s work is displayed in two back-to-back photographs; one showing the concentration of his work in 1945 as he is composing at the piano in his home, the facing page shows his enjoyment of his work in a mid-air “stop-action” photo.

In the selections from 1970 to 1980, as he became the Man of the World, the quiet moments of Bernstein’s life become apparent in many photographs but there is a sense of adventure and fun in the photographs with other celebrities, close friends, and family.

Introversion was certainly not in his character and among the celebrities he became close to were Jacqueline Kennedy Onassis, Aaron Copland, Isaac Stern, and Maria Callas. The photographs in this section express the joy he shared with friends such as these.

In the chapter “1980–1990: The Final Years,” the photographs are poignant recollections of this man’s amazing life, and if a photograph can bring tears, it would be the last one in this section. “August 19, 1990, Tanglewood, MA. Leonard Bernstein leaving the stage for the very last time after conducting the Boston Symphony Orchestra to Beethoven’s ‘Symphony No.7,’ his final performance.” Leonard Bernstein left the world on October 14, 1990.

Yet the book does not end there. The last section is “The Man, His Music, and His Mind” and it focuses on his musical writings, his correspondence, and even his doodlings.

As we turn the last page, we are left with a sense of knowing this man, and being a better person for it. This is a book that is read once, and then once again, and again—each time gaining new insight into a true maestro.