“Cemetery Ink takes you on a poetic journey to various places, such as psychiatric hospitals, haunted islands, goat pastures, streets teeming with homeless women, and invites you t
There is a large discussion in the world of poetry about how to proceed with the expanding legion of what are derisively called “Instagram poets,” as comers from all corners argue about whether or
Margaret Atwood is, at this moment in history, probably the most distinguished and most widely admired English-language writer who still hasn’t won the Nobel Prize for literature.
Acclaimed poet Uche Nduka weaves a kind of simple intimacy into his collection, Facing You, opting for unsentimental sentimentality while also shattering any preconceived notions the reade
The modern, post COVID feel of the word longing is different, isn’t it? A longing is now more than a want. Maybe even more than a need. Poet Natalie Shapero gets that.
This low, lazy, fattening, and frustrating last year has been a bad one for society, but just fine for medication: cholesterol medication, blood pressure medication, anxiety medication.
Leafing through any collection of Roger Ballen’s photographs is a bit like making love under a mirrored ceiling: none of it looks attractive, but it all feels terribly exciting.
“Balancing and mixing, with rhyme and reason, love and anger, good and bad, memory and the created present, all to tell the story of a life, a memoir unrestrained, devoid o
“The raw sensuality, the winsome yen of her language and its ‘small gifts laden with love’s intentions’ leaves no doubt to the reader about the anonymous others she carries through the work
“we are the beneficiaries of not only the hard-won wisdom of a life well-lived but the tonal and thematic variations of a musician poet attuned to the nuance of the pain we, each of us, car
“rather than trying to escape the past, we must instead accept the fact that the past lives with us and within us, and therefore, like it or not, we move back and forth through it daily.”
“Becoming familiar with the Elizabethan language is not easy, but Edmondson and Wells have taken it to a new level with their detail and final explanations.”
