Art History

“The Grand Medieval Bestiary feels magical, valuable, and important.”

As a reviewer and reader there are issues that need to be considered before one attempts to read When Études Become Form, chief among them would be that no fashionphile that was asked abou

John S. Dixon seems the perfect person to write The Christian Year in Painting as an art historian, professor, and the arts correspondent for a Catholic newspaper.

Edward Sullivan’s Making the Americans Modern is a highly academic study of art work during this particular 50-year period in history.

Our vision of the tumultuous history of Europe in the 15th and 16th centuries has become inseparable from the flourishing of Renaissance art, particularly the outpouring from such Italian masters a

“No doubt, Georgia O’Keeffe would paint her support for the #MeToo movement though she might not post the tweets.”

Susie Hodge, with her depth and breadth of experience in art history, delivers an approachable panorama of an enigmatic category of art history referred to as Modern Art.

“as our fore-artists set the example, so shall we copy.”

Spanning a course of over 300 years (1277–early 1600s) and encompassing a legacy of no fewer than 50 Popes (Pope Nicholas III–Clement VIII), Art of Renaissance Rome provides a narrow cross

“inviting and engaging . . . a well-presented lure into the potentially overwhelming world of art history.”

“a remarkable job of taming a wealth of loony and preposterous Dalian information into a fun, well presented, and entirely manageable package.”