Michael Pearson

“The Fine Art of Literary Fist-Fighting . . . is often a graceful blend of memoir and history.”

“If she had not chased those bright Medusas, 20th century American literature would have not had one of its most beautiful voices.”

Rory Carroll, a Dublin-based foreign correspondent for the Guardian, has written a nonfiction book that is as adrenaline-fueled and heart-stopping as any piece of fiction one can imagine f

“McPhee is a writer with a generous heart and sharp self-deprecatory sense of humor. Tabula Rasa is no blank slate.

Thirteen may be an unlucky number for some, but not for readers of T. C. Boyle’s dazzling new collection of stories, 13 funny, mind-bending, and disturbing tales.

David Grann, New Yorker staff writer and bestselling author of The Lost City of Z  and The Devil and Sherlock Holmes, offers what amounts to three page-turning narratives

“Patrick Radden Keefe’s collection Rogues is a tantalizing dirty dozen—enlightening, entertaining, and thought provoking.”

“This is a book to savor, to read slowly, to observe carefully, a book ideal for the insomniac . . .”

“the kind of poetry that can make a reader wince with delight.”

“Sally Rooney doesn’t repeat herself. Rather, she is a pentimento artist, building a familiar world in a way that makes it feel boldly new.”

As with her four brilliant novels, Rachel Kushner’s The Hard Crowd, 19 essays from the last two decades, takes the reader on a wild ride.

The literary rumor mill portrays Naoise Dolan as the new Sally Rooney, and that suggestion alone might push a writer onto the bestseller list these days.

Some of the most important fiction in the opening decades of the 21st century has come from Ireland, and Paul Lynch is one of the leading lights of this postmodern Irish Renaissance.