Literary Fiction

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No stranger to the newspaper industry herself, Rainbow Rowell’s debut is incredibly fun, quirky and full of charm; and reads like You’ve Got Mail meets Four Weddings and a Funeral

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In the preface to his 2008 definitive text How Fiction Works, author and literary critic James Wood writes:

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Ann Patchett’s newest novel, State of Wonder, begins when a Minnesota pharmaceutical company receives word that one of its researchers has perished “from fever” deep in the Amazon jungle,

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Light Lifting by Alexander MacLeod is a muscular collection of short stories. That is to say, the collection is filled with physicality of all sorts.

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Meg Wolitzer is known for writing about women’s issues, though primarily she writes about sex. Possibly that explains her reputation and popularity.

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In Nazareth, North Dakota, debut novelist Tommy Zurhellen lovingly reimagines the New Testament as a series of interlocking tales set in the northernmost regions of the American heartland.

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In the introduction to his new collection of selected essays, Otherwise Known as the Human Condition, novelist and author Geoff Dyer writes, “When writers have achieved a certain reputatio

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Early in Jessica Hagedorn’s fourth novel, Toxicology, filmmaker Mimi Smith is confronted on a New York subway by a poetry-spouting homeless man who asks her “Can you help me out with some

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The trouble with most history books is that they are generally impersonal. They offer up the facts and then focus solely on the public figures that actually shaped events.

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Although Sarah Gardner Borden’s compelling debut, Games to Play After Dark, has drawn reasonable comparisons to Richard Yates’ Revolutionary Road, it might be more constructive to

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The crazy thing about crazy people is that they do crazy things.

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Once in a while authors don’t just master a genre, they take effective ownership of it.

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How does a cohesive, loving family cope with a life altering tragedy that has the potential of destroying the very fabric of that family system?

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This is a fantastic collection from a poet with a wonderful authentic voice.

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Returning to Budapest after three concentration camps, Imre Kertész wrote novels he knew would never be published under the Soviet regime.

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Have you ever felt so stressed out and betrayed that you want to run away? Jamie Newman feels the need to flee when she learns her boyfriend is cheating on her with her older stepsister Laurel.

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A woman therapist is called by neighbors to coax a wild girl down from a tree.

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What happens when an urban dweller attempts to live a more sustainable and authentic life? Chaos. Near financial ruin. Hilarity. And, finally, triumph.

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Teenagers fall in love but very few have to literally fall in order to obtain the heart of that special someone.

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Dan DeWeese’s well-crafted and engaging novel, You Don’t Love This Man, is unusual in that it is so well written but lacks real, thought-provoking substance.

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Francine Prose takes the reader right into her story with the very first sentence. Then she goes retro, flitting back and forth between her heroine’s American present and her Albanian past.

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Not many individuals get a second chance at life.

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It’s nice to read a book in which the reader is the hero. And in Charles Davis’s Standing at the Crossroads, the reader is most definitely the hero.

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We think of the great multi-masted sailing ships of the mid-1800s as being entirely male domains; however, The Sea Captain’s Wife explores the sea-faring life from a woman’s point of view.

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Consider the women of Water’s Ford, Pennsylvania, in Jennifer Chiaverini’s newest novel, The Union Quilters.

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