“whatever streets they walk, whatever wisdom they earn, these brave people don’t simply abandon old lands. They take the reader along in creating new ones.”
Among the masterful short story writers of the 18th century in Russia—Turgenev, Pushkin, Gogol, Dostoyevsky, Tolstoy—it is Anton Chekhov whose words are most known outside of the motherland because
“Orange World and Other Stories exposes the difficulties of wanting. . . . Characters long for things that have no name. They live on the edge of terror.
The publication of poet Sylvia Plath’s newly discovered short story, Mary Ventura and the Ninth Kingdom, follows the highly acclaimed second and final volume of her letters (The Letter
The characters in these ten stories are not people you’d want to meet. That is how well Wilson brings them to life. You’d probably not even want them in the neighborhood.
Montana and noir are not a natural fit, as the editors of this short story collection readily acknowledge in their introduction: “No doubt the state’s beauty will . . .
Many people believe that writing a good short story is easier than writing a novel. Though each genre has its own challenges, many writers have pointed out that, in fact, the opposite is true.
