Nonfiction

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“. . . history told through the voice of drama and investigative reporting.”

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Some of the best moments in Mary Wickes: I Know I’ve Seen That Face Before come in the appendix following the text in which the author, Steve Taravella, not only lists the many roles that

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“. . . heartbreaking . . .”

Unraveling the quixotic and somewhat contradictory life of the great painter George Catlin must have been a daunting challenge.

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“. . . the story of Humboldt reminds us that our country is further Balkanized by local economic interests . . .”

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“. . . a welcome and interesting work that adds depth and perspective to not only the history of the drum, but military history as well.”

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“. . . an accessible, actionable guide for discovering what most matters.”

What is authenticity at the personal and individual level?

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“If a yoga practice is devoid of inquiry into the nature of mind or devoid of real self-reflection, is it really yoga?”

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“. . . Alysia Abbott gives us the gift of her father’s story, his poetry, his passion . . .”

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“We come away from Dreadful frankly puzzled and more than a little frazzled . . .”

It takes a hell of a lot of guts to name a book Dreadful.

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Once the reader gets past the initial preface and introduction, he or she is in for quite a visual feast. Mr. Estrada has compiled an exhaustive, almost encyclopedic, assortment of earrings.

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“. . . if insight or education is what you are after, then you might want to reconsider . . .”

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“. . . a book written by economists for policy nerds . . .”

The strength in Brave New World of Healthcare Revisited is its brevity.

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“No fan of comics and American history can afford to pass up Mr. Lockwood’s story, observations, and experience.”

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“This book should flourish wherever it is found . . .”

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“. . . a real kicker.”

For writer, speaker, and “Warrior Mom of five” Darah Zeledon, life’s joys and calamities have been abundant and enlightening.

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Nutrition is often a controversial topic, and a vast number of dietary fads have come and gone.

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It is a rare instance when an artist is more than just engaged with his or her subject. Lautrec had his Folies and its stars. Renoir had his ballet.

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