Michèle Audin's debut novel One Hundred Twenty-One Days is a story about mathematics and love.
“a fun and absorbing read whose fortuitous May publication date makes it a felicitous beach or airplane book.”
“Rao demonstrates her enormous power, summing up the complexities of an entire life in diamond-cut sharp scenes and dialogue.”
Kaitlyn Greenidge’s debut about family, race, and eugenics is a haunting coming-of-age novel.
Victoria Kelly takes license with the legacy of Harry Houdini in her debut novel.
“Hardcastle is clearly a talent worth watching . . .”
“the story is charming and readers who enjoy romance ought to give this a try, even if they aren’t huge fans of the GBLTQ scene—this is a great toe-dip into those waters without the oft-ass
“a singular voice . . .”
The first thing to be said about this intriguing historical novel is that it ranks high among the “must read” list of debut works.
Among the many different cultural subsets in New York City, there is a group of food elitists.
There are novels that force a reviewer to remember: It’s a big wide world and everyone has different tastes. Not every reader likes the same books I do. Fair enough.
“riveting, finely wrought . . . not . . . easily forgotten . . .”
“The Sympathizer has much to recommend it. . . . a serious examination of the tenuous line between civilization and barbarism.”
“That such a young author writes so well in his debut novel seems miraculous.
If a typical plot structure is and then, and then, and then, Jennifer Close’s plot in Girls in White Dresses might be described as and again, and again, and again, and again.