Literary Nonfiction

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In the introduction Robert Gottlieb notes The Most of Nora Ephron started out as a collaboration between him and Ms. Ephron that, sadly, she never saw completed. Following her death Mr.

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“This haunting and beautiful collaboration . . . allows the reader to unfold discoveries and reclaim a sense of wonder.”

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Born in Essex, England in 1923, and having lived for brief periods in Holland, France, Italy, Mexico, and most of her adult life in the United States, Denise Levertov viewed herself as “a trans-Atl

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Theo Pauline Nestor (How to Sleep Alone in a King-Size Bed) is an author, blogger, and writing instructor whose latest book reads like a journey outlining one writer’s struggle for her own

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“. . . an excellent anthology of witty prose, astute analysis, and frenzied rage.”

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“. . . one gorgeous book . . . like attending a museum exhibition in the comfort of one’s own home.”

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“. . . an informed, engaging, entertaining, exploration of how capitalism created and then destroyed the ‘middle state’ of society.”

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“Mr. Butler is to be applauded.”

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In the opening essay of Distant Reading, Franco Moretti advances the provocative question, “Would there be Shakespeare, had England not been an island?”

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“. . . a consideration of the medium and its place in popular culture.”

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“. . . [provides a] wealth of insights . . .”

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“. . . a book worth reading.”

The chapbook is an odd genre composed of small groupings of disparate pieces.

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“. . . breezily contemporary in feel, yet deeply lyrical in quality and effect.”

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“Mr. Bidart is the friend of narrative, and narrative is his ally.”

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“. . . an important contribution to Spanish-language poetry . . . a passionate joy to read.”

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