You may be able to speak to the subject of “it” bags from this year’s fashion cycle, but can you speak to the subject of why and which was the “it” bag of the 16th century until the present day?
If one were to think that nothing more could possibly be written about the iconic Georgia O’Keeffe that hasn’t already been researched, analyzed, or discussed, then one has not yet perused this gem
We as readers and followers of fashion are accustomed to seeing a familiar roster of names associated with the great and vaunted publications of the ’60s, ’70s, and ’80s.
As one of the most internationally renowned artists, René Magritte (1898–1967) was also one of the strangest, a testament to his mastery of the surrealist style.
Without question Gonzague Dupleix has written a how-to manual for men who wish to dress, present, and conduct themselves appropriately in any and all situations, no matter how far afield.
Bravo to Elisa Goodkind and Lily Mandelbaum for proffering both a “manifesto” of sorts as well as compiling a celebration of the independent spirit when it comes to how we present ourselves to the
Many a book on the subject of London and its contribution to men’s fashion has been written and expounded upon, but few have found a truly unique way to tackle the topic and stay the course.
Ines de la Fressange is a fashion phenomenon who started as a runway and print model, morphed into the face and muse of Chanel and Karl Lagerfeld, became a French icon when she “gave” her face to t
There are a multitude of adjectives that this reviewer has used to describe books of this genre but in my memory there has been one that’s glaringly absent, and it is only three letters . . .
