“Engaging and inventive, Ebba and the Green Dresses of Olivia Gomez in a Time of Conflict and War is an ambitious and confident novel by Joan Tewkesbury, a veteran writer for stage
“Jeremy Reed is not one of those establishment poets: boring, beige, and bovine. On the contrary, Mr. Reed stands alone, throwing colored glitter in the air.”
Something is not right in Tel Ilan, the fictional Israeli village set in the Manasseh Hills (probably in the general vicinity of Rishon L’Tzion) in which the first seven of the eight stories in
“Grief never ceases to transform.”
“This review’s brief synopsis cannot possibly convey the novel’s wealth of detail and interconnected plot elements that demand attentive reading. . . .
“. . . curiosity, that powerful driver of discovery, is only as valuable as what it turns up.
“Anne Enright’s razor-sharp writing turns every ordinary detail into a weapon, to create a story that cuts right to the bone.”
“Exquisite . . . Aamer Hussein’s messages in The Cloud Messenger will be read over and over again by readers for many years to come.”
“Toward the end of the novel there is a gutsy shift in narrative tone that lends the ending a sense of closure.
“Coriander, curry, Chinese brothels, drug dens, butchers’ remnants, and brewery smells, tropical heat and Caribbean costume makes this a multicultural city in the west of a dystopian Irelan
“Besides the deftly rendered plot to uncover a conspiracy—which may remind a few readers of another sexually adventurous girl who kicks over a hornet’s nest even if she lacks a dragon tatto
“Readers of There But For The have a similar choice to make.
“Ali Smith’s There But For The is a thoroughly modern book that plays with form, structure, and language, never allowing the reader to settle for comfortable passive reading; ultim
“Whatever Willa Cather was, ‘brilliant writer’ would head the list for most admirers of the literary novel. . . .
“In Last Man in Tower, it is immediately apparent that author Adiga’s writing has matured.
“Sam Savage’s exhilarating, often lilting use of language and his faultless characterization of the eccentric, unraveling of his main character, Edna, is evocative, poetic, and compelling.”
“. . . don’t be put off by the magic and sorcery. If you like noir and hard-boiled mysteries, you might want to give Low Town a chance.
“. . . a plot-driven novel conveyed in crisp, descriptive, and thought-provoking prose via an engagingly intelligent third-person narrator. . . . an auspicious debut.”
“Though the theme of selling one’s soul is an ancient one, this page-turner is a contemporary look into the moral and psychological implications of one’s cherished desires being manifested
“No Rest for the Dead . . . not an anthology, but a single story with each author handling a chapter—a literary game of Telephone. . . .
“. . . it is clearly Ms. Benedict’s intention to turn stereotypes upside down, make readers squirm, and yet still keep them reading. Ms.
“This family is so real, so understandable, so in need of comfort each in their own way, that we want to embrace them in their grief, applaud their reconciliations, and learn from their lov
“I Knew You’d Be Lovely is an impressive offering, from a strong new voice, of stories about life’s desperation.”
The Gilded Shroud is a romance with a mystery, not to be confused with a mystery that has a romance. Every genre has rules that are followed.
“Nemonymous Night is not an easy read; however—and here’s the rub—it’s entirely readable.”