Jess Berry tries to convey to the reader the links between fashion, interiors (salons/shops) and modernism: (modern artistic or literary philosophy and practice; especially: a self-conscious break
Having an almost borderline addiction to leopard print and all of its cousins this reader/reviewer was more than excited and looking forward to have this book in his hands to read and review.
The recipe for the success of this monograph is equal parts Giles Deacon (brilliantly talented and visionary designer), Katie Grand (muse, editor and stylist for the biggest names in fashion) and
From its title and front cover one might expect that what awaits will be some historical romp through fashion starting with the second half of the 20th century concluding in today’s world of fashio
What is abundantly clear from almost the beginning of this book is that Andy Peake has gone far and beyond what Made for Walking might have been if he had not extensively and adeptly resea
This is the fifth of a series, the previous four of which have been reviewed here at NYJB, by these two authors who usually find a unique way of presenting the subject at hand even though other wri
Having reviewed six books dealing with the life of the Alexander McQueen and his oeuvre, it can be said that Rasmussen brings nothing new to the table.
Before the prospective reader even opens Guo Pei: Couture Beyond, they need to be aware that this is not so much about haute couture but rather about the art and craft of haute couture; th
At a time when names such as Blumenfeld, Scavullo, Avedon, Clarke, Horst, Radkai, Rizzo, Parkinson, and Penn were bandied about and very visible in the world of fashion photography there was also a
Charles James: Portrait of an Unreasonable Man must be examined and evaluated on multiple levels: there is James the genius; James the spoiled narcissist; James the master networker; the s
If in fact history does repeat itself, then Dior Images is the first book of the New Year that will focus on the iconic and heritage brand of Christian Dior.
It is possible to assume to that there isn’t a single fashionphile who does not recognize the name Jil Sander, but the real question is how much do they truly know of the brand when she was at the
It is a rare, if not an improbable occurrence, that a reader/reviewer/fashionphile can call a monograph such as Olivier Theyskens: She Walks in Beauty a haunting, moody, poetic, and yet wi
Spectacular isn’t even close to a word that would properly or sufficiently describe the contents and execution of Resonances de Cartier. There has been a spate of books focusing on the leg
