Literary Fiction

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“Beautifully capturing the tone and voice of a classically told tale . . . ”

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“Ever since Swagger’s first appearance in Point of Impact (1993), the author has provided his hero with antagonists worthy of the name. Meachum is a cut above the usual . .

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Reeling from the humiliation of being dumped by her fiancé Samuel for someone outside of their circle, devoted Quaker Honor Bright decides to join her newly betrothed sister Grace on her trip from

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“. . . a lovely and thought provoking debut novel.”

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“. . . compulsive and engaging, . . . crackles with energy and wit . . .”

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“. . . the uneven execution of the plot prevents Resolve from achieving its full potential.”

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“. . . an intelligent page-turning mystery combined with a good dollop of well-told history . . .”

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“When word gets around about The List, readers will clamor for their copy and devour this book.”

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“. . . we must beware Greeks bearing books.”

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“A thoroughly moving experience . . .”

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“If you don’t mind a bit of ambiguity, Alexander Soderberg’s The Andalucian Friend is a worthwhile read.”

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“. . . clearly the work of a promising writer.”

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It would be maddeningly easy to begin my review of Herman Koch’s The Dinner like this:

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“There is no downside to a book like After the Fall and a rara avis it is.”

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“. . . an excellent window into a complex and gifted author.”

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If you think love is complicated in the 21st century, back in 1912 Franz Kafka kept busy with long distance relationships largely via letters with four women he adored.

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“Few writers can match Ms. Kingsolver for her turns of phrase.”

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“It’s that sense of real life flowing in a fast-cutting cinematographic style that elevates this novel into a new genre.”

Fast moving. At first jumbled:

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This book is exactly what it appears to be: A collection of horse stories written by a Who’s Who of literary stars over the past century.

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“Babe Ruth didn’t hit a home run every game.” Anne Perry’s Christmas novellas are treats for her fans, starved for more Victorian suspense from the master.

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“In these pages, we glimpse the thousands of beloved or fondly despised books which, distilled into allusions, memories, and anecdotes, enrich the author’s life and our own.”

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“. . . what Lynn Coady shows is a different kind of truth, an artistic truth . . .”

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“Sweet Tooth is wonderfully misleading, absolutely delectable, and very smart. And it is still a love story.”

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“Ms. Schutt has a stark, scientific eye and an artist’s voice.”

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