Literary Fiction

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Homeroom Headhunters: The Tribe, the first book in a trilogy of children’s novels by Clay McCloud Chapman, addresses the typical middle school student’s personal struggle to fit in at scho

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“Read this novel not to be entertained by the story, but to be awed by the beauty of the words.”

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“. . . terribly funny and charming . . .”

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“. . . a perfect storm of life experience and talent, . . .”

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“A writer takes earnest measures to secure his solitude and then finds endless ways to squander it.”
—Don Delillo

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“Nearly forgotten today, Mr. Wellman was nominated for a Pulitzer. . . . a worthy chapter in the timeline of fiction devoted to the supernatural.”

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“Readers will be moved, amused, and impressed by these stories.”

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“If you enjoy a lightly told tale, it’s well worth spending a few hours of your time in the company of Brian Kimberling . . .”

Hyperbole is horrible.

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“. . . a deeper issue lingers, making one question where the exact dichotomy between ‘good and evil’ begins and ends.”

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“. . . though beautifully written, feels padded and repetitious.”

André Aciman is a poet of exile, a chronicler of displacement and its discontents.

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“Harlow is a tough little novel that plunges the reader into a fully realized way of life.”

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Peru not only overturns the notion of nostalgia for childhood but also overturns the very foundations of the novel itself.”

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“Literary type, recovering from the trauma of war, pursues true love, revenge, and an accidental career in publishing.”

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“In America, you can invent your way to the top of any field.”

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“Beautifully written and translated from the French, Bitter Almonds should be required reading . . .”

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“Readers will be torn by the impulse to race ahead while simultaneously savoring the fine writing.”

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“This is a book to be read for the same joy one garners from listening to Puccini’s ‘Madame Butterfly’—again and again.”

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“The Story of My Purity is a frustrating novel—entertaining enough . . . yet ultimately unconvincing.”

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“. . . ahead of many in its class.”

There is something about Sophie Shepard.

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“Middle C is recommended to readers who enjoy prose gymnastics, postmodern fiction, and experimental juxtapositions of style and form.”

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“Readers will find themselves engrossed in this grim but well-written account . . .”

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“Beautifully capturing the tone and voice of a classically told tale . . . ”

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