Readers be warned: this review of Bryan Batt’s She Ain’t Heavy, She’s My Mother, will violate the first rule of book reviewing laid down by John Updike: “Try to understand what the author
Marcel Möring’s In a Dark Wood is a highly literary, imaginative, and experimental novel that explores large themes—including Jewish identity after the Holocaust and the search for meaning
Aharon Appelfeld’s Blooms of Darkness (originally published in 2006 as Pirkhei Ha’afeilah) conveys the Shoah experiences of Hugo, an eleven-year-old Jewish boy who witnesses the
There is nothing more frightening than a woman scorned, especially if said woman also has access to the Internet and boasts a very colorful vocabulary to boot.
You know something’s up when the publisher has a name like “Exterminating Angel,” and the book’s dedication page says the author “intends no disrespect. . . .
Nicholas Evans is not a prolific writer. Not when compared to other writers of a similar standing who, like he, can generally be counted upon to shift a good number of books.
In her long and prolific career, Cynthia Ozick has created a literary oeuvre of impressive complexity in the form of essays, short stories, novellas, drama, and poetry, ornamented with five delirio
When reading Gina Ochsner’s The Russian Dreambook of Color and Flight, I kept asking myself what, exactly, this book is. It is a parable, limned with metaphors? Is it magical realism?
![Image of [(She Ain't Heavy, She's My Mother )] [Author: Bryan Batt] [May-2010]](https://m.media-amazon.com/images/I/51pL-INRcRL._SL160_.jpg "[(She Ain't Heavy, She's My Mother )] [Author: Bryan Batt] [May-2010]")
](https://m.media-amazon.com/images/I/41Xtwq9KjbL._SL160_.jpg "Joshua Ferris'sThe Unnamed [Hardcover](2010)")
