“Unlike most of the news stories we read these days, The Paris Correspondent provides a satisfying ending, with truth served and the honor of the journalism profession upheld—even
“Ali Smith’s There But For The is a thoroughly modern book that plays with form, structure, and language, never allowing the reader to settle for comfortable passive reading; ultim
“. . . a plot-driven novel conveyed in crisp, descriptive, and thought-provoking prose via an engagingly intelligent third-person narrator. . . . an auspicious debut.”
If a typical plot structure is and then, and then, and then, Jennifer Close’s plot in Girls in White Dresses might be described as and again, and again, and again, and again.
“Each poem reaches a moment when the mood changes, a moment of epiphany that jolts the reader out of his comfort zone and the everyday shimmers slightly as perspectives shift.”
“This family is so real, so understandable, so in need of comfort each in their own way, that we want to embrace them in their grief, applaud their reconciliations, and learn from their lov
