“a novel that explores the nostalgia, loneliness, guilt, and conflicted patriotism of the (fictitious) last American who worked at the facility.”
“Young Once is an elegant noir written by a master prose stylist.”
"Spells by Michel de Ghelderode offers a collection of stories both beautiful and loathsome. He represents literature that must be wrestled with to fully appreciate. . . .
“Compass educates us, even as we marvel at its obscurity.”
Of all Mozart’s piano sonatas, No. 11, “Turkish March,” is the most unique. It’s also his best. And Mathias Énard seems to know why.
Nietzsche declared God was dead over a hundred years ago, but contemporary readers can’t get enough of religion.
“[Lewinter’s] unique literary voice . . . is that of an obsessive, a philosopher, and a miniaturist.”
“a fable about ideological extremism under an avant-garde skin.”
“Patrick Modiano goes beyond the checklist accuracies of historical fiction, fashioning a lush fever dream filled with glamor, mystery, and despair.”
Michèle Audin's debut novel One Hundred Twenty-One Days is a story about mathematics and love.
“a masterpiece of concision and pain. . . . a literary achievement . . .”
“In a suspense novel that is the literary equivalent of Hitchcock’s Psycho, Lemaitre presents a harrowing look into the link between madness and evil.”
The 19th arrondissement in Paris is a cosmopolitan melting pot district where multicultural citizens live, love, and worship alongside one another, enjoying Kosher sushi and kebabs, and different s
Venice, renown the world over for its beauty and riches, becomes the setting for Gabrielle Wittkop's Murder Most Serene.
“an effervescent book, comprised of two equally well-rounded stories . . .”
“if you really care about something in life, do whatever it takes not to lose it.”
With age usually comes wisdom, and when waxing nostalgic, one usually sees the significance of youthful events in a new and understanding light.
The new English translation of Patrick Modiano’s 2003 novel Paris Nocturne defies categorization.
Michel Houellebecq, the enfant terrible of French letters, is no longer an enfant and Submission is far from terrible, but his latest novel is, as usual, an even
"Mirbeau's novel offers trenchant satire that will endure."