Many readers in this quadrant of the globe have discovered Australian crime fiction—mysteries, thrillers, police procedurals—through television series created for broadcast and streaming services.
“[I]f you relish seeing how ordinary people of good heart and intentions can get twisted off the right path, and sink deeper into serious trouble while they wrestle with their consciences,
“The Satapur Moonstone is a flawless gem. Historical mysteries don’t get any better than this.”
“Redemption is more Amos Decker for faithful fans who love their guy, but it’s a long, long way from being worthy of anything more than faint praise.”
“Readers can relax and enjoy a fast-moving romp through the shadows of Siberia in Finding Katarina M., learning about an area of the world that is strange, enticing, and also forbi
“Mukherjee has created two appealing characters presenting different factions of the whole that is India, revealing what each gives up to serve king and country, and answers the question of
The “memo” of the title is a recording that Warrant Officer Radebe Turner makes when he’s being hunted down in the Northern Cape.
“the action never wanes, the story never dulls. An ageless tale of vengeance, violence, corruption and justice--or injustice—The Border is an epic conclusion to an epic series . .
“Hunting Game is variously a dark, brooding Swedish noir crime novel, a titillating romance, and an outdoorsman-type hunting adventure.
“a riveting description of what really happens behind those closed doors of Washington’s flawed and dysfunctional traditions.”
“Any Means Necessary is a compelling modern day thriller with a brilliant twist. . . .
“Evil Things introduces the readers to a small country where the winter snow hides a cataclysmic crime. It’s a chilling entry in this three-part series.”
“Surprisingly, although Stalker is less than completely satisfying on its own, one can’t wait to see what happens next in this remarkable series.”
“Although Amsterdam Noir doesn’t hit the heights of other entries in the city noir anthology series, it remains an appealing compendium, with welcome doses of local color and atmos
“Tursten’s writing is witty and sharp, humorous and edgy. The stories read quickly and easily . . .”
“The Good Lie feels like a rush job, written in haste to provide a sequel to the first novel in the series.”
“a high-quality police procedural that covers off all the classic elements of the sub-genre: a team of investigators, more than one case to be followed, and careful attention to detail.”
A literary thriller whose plot twists, turns, backtracks, and loops like a medieval maze until one despairs of ever finding a way to a resolution.
In the English seaside town of Brighton, there’s an active murderer again—one whose theatrical death scene creation immediately binds together the amazing (if aging) Max Mephisto, stage magician, a
Death in Paris is a mashup of some of the most favorite literary tropes.
What happens to a CIA agent who turns whistleblower on her own colleagues?
Spies, enemies, and friends with mixed motives: good thing investigator Billy Boyle has his close friends Kaz and Big Mike with him in Normandy, France, in July 1944, because that may be the only l
“A regular noir reader will find much to love here, and a reader who wants some armchair tourism will find a dark and enthralling look at a world few Americans have seen.”
“in some ways as much a cozy detective novel at it is a police procedural”
Stratos Gazis is a professional contract killer with a conscience.