Keef Cross’ DayBlack is not your typical graphic novel in terms of images or plot. Trained as both a tattoo artist and painter, Cross creates drawings reminiscent of tattoos, and the stor
“moving and deeply beautiful art illustrating stories of risk, choices, loss and life.”
“just like the monsters that haunt the pages, zombie storytelling never dies.”
“a collection of tightly written and deeply moving testaments to the brevity of life and the existential imperative to live it well.”
“Wormwood is an intergalactic, inter-dimensional, immortal, happy-go-lucky larval worm-thing with a liking for fine stout, strippers, and most of the other vices planet Earth has on offer.
Anyone who can figure love out is a genius.
“an essential entry into DC’s ongoing Celebration series of anthologies.”
The Golden Age pulp magazine Weird Tales wasn’t a pulp that featured cowboys or detectives or men with rocket-packs on its covers. It had odd, scary things on its covers.
“the work of a professional at the top of his game.”
“pure American art.”
“. . . a wonderfully horrific and funny collection . . . a rich river of bloody fun.”
"A graphic novel, Street View will entice all you voyeurs out there to peer inside uncovered city windows and fantasize about the human dramas unfolding inside."
“the best of European storytelling . . .”
“the work of a confident, skilled artist who made comics not only more fun, but also better in the process.”
“Neither Shakespeare nor Faulkner could have ever said it better.”
"The best combination of modern and classic Disney in one collection."
“Superman: The Golden Age Sundays 1946–1949 is the sound of America exhaling after facing nothing but stress for a long,
“Despite the political nature of some of the material, there is hardly a panel that wouldn’t make a child smile.”
“This is over 200 Sunday pages of glorious art and words by Charles Schulz, covering an early, key period in what made Peanuts the best ever.”
“Discover the kid in the hat and reap a rich, rich reward in art, humor and life.”
“. . . richly entertaining volume.”
“Carl Barks has created work that will entertain children, adults, and grandparents for hours on end.”
“Ripley’s Believe It or Not: Daily Cartoons (1929–1930) is part Barnum, part Cosmos. . . .
“Historically important as well as wildly entertaining, Wonder Woman the Complete Newspaper Strip (1944–1945) is the find of the year for everyone who loves adventure, history, wom
“Working with historian and curator Russ Cochran, Dark Horse has created a beautiful book to introduce the world of Alley Oop to everyone.”