Women’s

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"the portrait of an artist as a young woman."

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Born and raised in poverty on a plantation in Martinique, Stephanie St. Clair (Queenie) eventually arrives in New York. In the 1930s; she makes a name for herself as a racketeer and bootlegger.

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In journalism, “bury the lede” is a term of craft: placing the most important point of the story too far down in the text, too distant from the all-important lead paragraph.