Early in Jessica Hagedorn’s fourth novel, Toxicology, filmmaker Mimi Smith is confronted on a New York subway by a poetry-spouting homeless man who asks her “Can you help me out with some
While Scandinavian writers seem to have taken over the crime genre these past few years, one crime writer has surpassed them, and he’s not Scandinavian.
Craig Clements-Rabbitt gave up the draw of Dartmouth to embrace the prestige of Godwin Honors Hall, located in the heart of one of the countries biggest public universities.
There is so much frenzied activity going on during the three days that Aimée Leduc is trying to solve a murder for which her beloved godfather and police Commissaire Morbier is the prime suspect, t
The publisher is billing Madison Smartt Bell’s latest novel as a “taut, terrifying tale,” and one that “will appeal to readers of James Ellroy and Cormac McCarthy.” That brought two problems to bea
Familiarity may breed contempt in daily life, but novelists, particularly those who write mysteries, long ago discovered it doesn’t hold true on the page.
It’s a brave or foolhardy writer who kills the main character in the very first page of their book, believing the reader will continue with the rest of the story rather than simply give up.
Sometimes a book comes along and you get this pleasant feeling of déjà vu. Not in the sense that you’ve read the book before, per se, but that the book knows you.
After more than 30 installments of this series over a span of 16 years, it’s difficult to keep coming up with superlative adjectives to describe the magnificence of this body of work by Nora Robert
Cocky, streetwise Lucky O’Toole returns (following last year’s much-praised Wanna Get Lucky?) for another off-the-wall adventure in Las Vegas, where off-the-wall is absolutely normal.
