Horror

“a breathless, oxygen-deprived framework intensifying the terror of the written word”

It is said that imitation is the purest form of flattery. Be that true, the question becomes what hold does a feeble imitation of a literary classic have on flattery.

“A story the reader will select with a wriggle of delight and a frisson of dread.”

The story continues . . . of Xanther and her pet cat. The Familiar, Volume 4: Hades, by Mark Z.

If Mary Shelley’s Frankenstein, first published in 1818, is indeed a novel more talked about than read, as Sir Christopher Frayling suggests in Frankenstein: The First Two Hundred Year

“a literary tour-de-force of the supernatural genre, at the same time disturbing, frightening, and fascinating.”

“this hardcover graphic novel collection will delight any fan of epic fantasy, and be a welcome addition gracing the shelves of the aficionado’s library.”

“Lee Markham’s The Truants is a welcome and memorable addition to the vampire subgenre, full of original ideas and some nightmarishly vivid imagery.”

“a suspense novel with a hovering expectation of supernatural dread . . .”

“Mapping the Interior is a darkly meditative tale of innocence, family, and ghosts that only Stephen Graham Jones could tell.”

“Although not quite a horror novel, nor even an outright ghost story in the classical sense, Moriah is nonetheless a story about people being haunted by ghosts.”