Literary Fiction

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“Life has always kind of happened to me without too much planning.”

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“many of the stories have the feel of being a novel in gestation.”

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In her book The Lake House, author Kate Morton takes three stories about children—a missing child, an abandoned child, and a child given up for adoption—and braids the stories together.

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The Pawnbroker is a haunting, powerful book about the vast gamut of human behavior, including some of the darkest moments in human history. But it’s not a book about the Holocaust.

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Bird is only 176 pages, but it is not a quick read.

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Nobel Laureate Kenzaburo Oe brings the novelist career of his literary alter-ego, Kogito Choko, to a close with the publication of his new novel, the most recent in the series, Death by Water

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“a thoroughly absorbing book . . .”

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Very few of the books published in the United States each year are works in translation.

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Anyone familiar with Nora Roberts’ work will find no surprises in this one.

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John Irving, now in his early seventies, has been encouraging readers to think of him as the contemporary Dickens for more than four decades.

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As with many great novels that take chances, Monsieur Houellebecq’s latest offering has been overshadowed by controversy, particularly when first published in France, his homeland.

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“the best book this year . . . when it comes to literature.”

In an author’s note to his intense and amazing new collection of short fiction, Colum McCann writes:

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The new English translation of Patrick Modiano’s 2003 novel Paris Nocturne defies categorization.

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“Our private lives are like a colony of worlds expanding . . .

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“There’s nothing particularly wrong with Slade House but, sadly, there’s nothing especially right.”

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Ronald Reagan was just 69 days into his presidency when John Hinckley, Jr., greeted him outside an AFL–CIO conference by firing six shots from a .22 caliber revolver.

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Michel Houellebecq, the enfant terrible of French letters, is no longer an enfant and Submission is far from terrible, but his latest novel is, as usual, an even

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“It’s such a confusing thing, what’s okay and what isn’t okay and what’s accepted and who’s a whore. It’s a furious balance.”

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There is something about really good fiction that brings out the voyeur in the reader, eagerly peeping through a window into another world.

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Nothing says exceptionalism like a debut author winning a two-million-dollar advance.

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If you enter a few chapters deep into this novel, you hear and think and feel akin to the farmers and churls who found their language, their loyalty, and their land wrench

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King David comes alive in a deeply emotional “novel” that tackles the man and the myth in an ambitious sweep of history and lore.

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The Sierra is gone. Colorado is dead. Phoenix has burned. The sky is “bloodred with ash.” Cheese comes in jars and looks like DayGlo; pears are grimy, and blackberries are filled with dust.

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Oreo, the heroine of the title, is raised by maternal grandparents. She is the daughter of a white Jewish deadbeat father and a black actress mother, who is constantly on tour.

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Life runs ahead of us, it runs away from us, it never stops until, one day, it does. How do we live the happiness we tentatively achieve? Is happiness sustainable?

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