Genre Fiction

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“. . . an enthralling legal thriller.”

The Alligator Man
is an enthralling legal thriller set in Florida.

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It took more than an opportunity to drive her estranged grandmother’s vintage Rolls Royce across the country to get Anna Rosenthal into the driver’s seat— especially when she knew her cantankerous

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The Raven’s Gift is Don Rearden’s debut novel. In it he shares stories he learned from elder residents as he grew up on the tundra of Southwestern Alaska.

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“. . . a meaty slab of literary realism in the tradition of Charles Dickens, Honoré de Balzac, and Émile Zola . . .”

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The choice of whether to live in the present or the past is a difficult one for many people, but not Corrie, the protagonist of Sherri Wood Emmons’ newest book, The Weight of Small Things.

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“Powerful stuff, honest and brutal.”

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“. . . there is a sense that Mr. North’s visually acute, action-packed style in this book is likely headed for the silver screen . . .”

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What would your reaction be if you had fallen overboard into the Arctic Ocean in 1906 and reanimated in a lab in present-day Boston?

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Peggy Hesketh’s debut novel Telling the Bees is a tender portrait of Albert Honig, a lifelong beekeeper and elderly bachelor.

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“You will not be disappointed.”

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“. . . a rallying cry for anyone who laments the rose-colored remembrances of things past and needs to wake up and smell the coffee.”

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“. . . narrated in gorgeous, elegiac prose . . . a very enjoyable and strongly recommended read. . . .

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“. . . an amazingly accurate biographical account of today’s music school life.”

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“. . . a strange and captivating novel . . .”

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There is much to admire in J. Courtney Sullivan’s The Engagements.

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“. . . outstanding on every level . . . heaven sent.”

The Hanging Garden, Patrick White’s posthumous novel, is absolutely luminous, its publication a gift.

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Writer Alida Nugent wakes up one day to find herself prepared to tackle the world with a first rate college education from a top tier liberal arts school, but completely unprepared to take on the g

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In The Other Typist Suzanne Rindell takes the reader on a journey deep into the recesses of the mind of the main character, Rose Baker.

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“But this narrative, a story of family domesticity and femininity—desires, wiles, superstitions—is light fare for a historical novel that delves into the philosophical ferment of Socrates,’ Plato’s

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“You will know Nora Eldridge within the first five pages, which are among the most memorable you will read all year.”

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Can the publishing industry please, please declare a moratorium on financial thrillers written by business journalists or ex-Wall Street insiders in which the hero (never heroine) is a you

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“Read this novel not to be entertained by the story, but to be awed by the beauty of the words.”

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