LGBTQ+

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“. . . a girl who works hard deserves a break.”

Can a down-on-her-luck queer sista catch a break in ’90s Brooklyn?

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“Mr. Halperin’s answer: . . . the lessening of overt discrimination and exclusion has come at a price. Gays have become too like heterosexuals: conventional and boring.”

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“. . . undeniably a talented writer, Mr. Sasson’s stories differ wildly in quality from the excellent . . . to the melodramatic . . .”

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“Edmund White who wrote The Beautiful Room Is Empty. Edmund White who gave us A Boy’s Own Story as well. It is as if he owes it to us to always excel.

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“Greg Herren knows how to tell a crime story without resorting to inane stereotyping. . . .

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“Péter Nadás may infuriate readers accustomed to a Tolstoyan resolution of a series of interrelated stories and characters and times and settings.

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“Surely in the past three decades we have moved beyond merely the inclusion of Speedos and horny waiters and The Pines in order for something to be considered ‘gay fiction.’ . . .

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“. . . curiosity, that powerful driver of discovery, is only as valuable as what it turns up.

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“The action, indeed the story, seems like it takes place another world, distancing the reader from the reading experience—the opposite of what you want in a thriller.

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“The Mere Future reads like a modernized Candide by Voltaire crossed with Brave New World by Aldous Huxley.

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“All through Zippermouth, author Weeks waves her middle finger at literary norms and dares the reader to walk away.”

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“My gal done me wrong is a terrific reason for an anthology. Noir, much beloved in both books and movies, is notable for the unsentimental portrayal of violence and sex.

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“Homosexuality is an issue that brings out the passion in all concerned. And yet, honest passion is what the novel is lacking.”

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Curtis Smith is a wonderful storyteller.

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