Pulitzer Prize-winning former Washington Post reporter and journalism professor Glenn Frankel has found a new calling as an incisive interpreter of classic Western films.
What can make or break a book dealing with this subject is the angle from which the author approaches the subject.
This is a coffee table book. It's that simple. An oversized hardcover that sports a garish and sickly yellow-green dust jacket with a landscape scene of the undead walking through a field.
“In its own inimitable way, West of Eden is as epic as John Steinbeck’s novel East of Eden.”
“As always Buruma is a reporter first; he does not argue a particular side without citation and witness.
“. . . a book filled with gold nuggets.”
“For any film student, cinema scholar, or movie fan . . . The Big Screen is not to be missed.”
“When it comes to memoirs, things don’t get more heartfelt than this. And when it comes to storytelling, few could match the humor, passion, and humanity of these pages.
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“Brian Kellow delivers. . . . the filmic rise and fall of a woman of true brilliance, huge ego, and no small amount of neuroses.”
“Safe to say that of all the loves of her life, men’s hats tend to rise to the top of Ms.
“From page 435 onward, Spencer Tracy is an excellent biography indeed, albeit one that would have benefited greatly from losing at least a good 200 of those first 400 pages. . . .
“We should all live such lives—dreaming and attaining, loving and lusting—and look so good when we sit down to write our memoirs. . . .
“His enthusiasm for participating in the artistry of an alternate profession that lies beyond the area of his expertise is certainly something that anybody who’s ever pursued a hobby can id
“Throughout Rin Tin Tin: The Life of the Legend Susan Orlean presents a story that is as engrossing as it is illuminating, which is, of course, her special magic.
“Hollywood Left and Right is nonfiction at its best: entertaining and engaging, probing and provocative, detailed and comprehensive in coverage, multifaceted and far-ranging in its
The first big laugh in Judi Dench’s highly enjoyable memoir And Furthermore is a visual joke on page one, where the reader is presented with a black and white picture of a group of very yo
Pity the young.