Maureen Stanton

Maureen Stanton’s memoir, Body Leaping Backward: Memoir of a Delinquent Girlhood (Houghton Mifflin Harcourt, 2019), won the 2020 Maine Literary Award in memoir, and was a People Magazine "Best New Books" pick. Her book, Killer Stuff and Tons of Money: An Insider’s Look at the World of Flea Markets, Antiques, and Collecting (Penguin Press, 2011) won a Massachusetts Book Award, and was selected for Parade Magazine's "12 Great Summer Books."

Her essays have been widely published in literary magazines and anthologies, including Creative Nonfiction, Longreads, New England Review, Florida Review, Fourth Genre, River Teeth, and The Sun, among others, and listed seven times as "Notable" in the Best American Essays series. She's received the Iowa Review prize, the American Literary Review Prize, Pushcart Prizes, and fellowships from the Maine Arts Commission, the MacDowell Colony, and the National Endowment for the Arts.

She is an Associate Professor at the University of Massachusetts Lowell, where she teaches creative writing and literary journalism.

Book Reviews by Maureen Stanton

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In The Manicurist's Daughter: A Memoir, Susan Lieu seeks to understand her Vietnamese immigrant mother, who died when Lieu was 11, and to reconcile her own identity as both part of, and in

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Grief Is for People is an eloquent, pensive, and deeply moving paean to a best friend.”

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In January 1958, Charles Starkweather, accompanied by his 14-year-old girlfriend, Caril Ann Fugate, embarked on a killing spree in Nebraska, leaving ten people dead in their wake.

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“offers readers a deeply affecting, lyrical and often profound journey into the experience of love and loss.”

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“the poetic marvel of his language makes every chapter richly textured and a joy to read.”

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“a quietly affecting memoir about family connection and disconnection.”

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“Farley translates medical case studies, interviews, and other records into dynamic prose, weaving a fluid and immersive story of the sisters' lives and experiences.”

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“Through her own compelling personal story, Patrick's book will certainly illuminate an aspect of depression that is still little known and understood.”

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“Antrim’s memoir is indeed sad but also moving, insightful, and ultimately, for the writing of it, which is proof of survival, hopeful.”

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“a triumph for its riveting storytelling, and for Dowd's ability to occupy the consciousness of the girl she was, striving to survive an extraordinarily oppressive and dangerous environment

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Reading the Glass is a deeply engaging, eloquent, and colorful account of a captain's life at sea.”

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“Part memoir, part cultural critique, part manifesto, Hysterical is a tour de force, a powerful response and critique of the subjugation of girls and women across all aspects of ou