“Mr. Frazier’s writing is so fine it needs to be savored. These people are as unique as all human beings are; not one of them can be wholly admired or detested.
“Mr. Jurjevics draws the reader into the narrative, as if he is experiencing the mission alongside Rider as he huffs through the jungle in wet boots, bugs feasting on his flesh. . . .
“Unlike most of the news stories we read these days, The Paris Correspondent provides a satisfying ending, with truth served and the honor of the journalism profession upheld—even
“Ali Smith’s There But For The is a thoroughly modern book that plays with form, structure, and language, never allowing the reader to settle for comfortable passive reading; ultim
“. . . a plot-driven novel conveyed in crisp, descriptive, and thought-provoking prose via an engagingly intelligent third-person narrator. . . . an auspicious debut.”
If a typical plot structure is and then, and then, and then, Jennifer Close’s plot in Girls in White Dresses might be described as and again, and again, and again, and again.