Debut Fiction

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"Kukafka eloquently describes the self-destruction that ensues by allowing others to define us."

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“A debut novel with an intriguing premise. . . . What is left when everything is gone? What does it mean to be alive in the universe and the grandeur of vast emptiness?”

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“An excellent debut . . .”

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"special style of storytelling . . ."

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“. . . an intelligent page-turning mystery combined with a good dollop of well-told history . . .”

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“Ms. Joyce is blessed with a sharp eye for detail . . . she carefully unfolds Harold’s inner journey as his hardened emotional shell begins to crack.”

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“Ms. Ivey’s debut novel is a triumph—a splendid retelling of a familiar tale that glows with the intensity of the northern lights and generates its own magic.

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“Grief never ceases to transform.”

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“How the Mistakes Were Made is a fiercely affectionate rendering of that period right before the general public was hungry for the Nirvanas and the Pearl Jams—but hadn’t yet heard

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“Toward the end of the novel there is a gutsy shift in narrative tone that lends the ending a sense of closure.

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“Coriander, curry, Chinese brothels, drug dens, butchers’ remnants, and brewery smells, tropical heat and Caribbean costume makes this a multicultural city in the west of a dystopian Irelan

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“. . . don’t be put off by the magic and sorcery. If you like noir and hard-boiled mysteries, you might want to give Low Town a chance.

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“. . . a plot-driven novel conveyed in crisp, descriptive, and thought-provoking prose via an engagingly intelligent third-person narrator. . . . an auspicious debut.”