A. J. Kirby

A. J. Kirby is the multi award-winning author of short fiction, two novels (Bully, and The Magpie Trap), and two novellas (The Call of the Sea, and Perfect World), as well as a volume of collected works (Mix Tape). His work has been described as “like trying to get to sleep after drinking too many vodka red bulls,” his trademark strong narrative voice often “fierce and impassioned,” sometimes brutal but often tempered with a consoling note of humor.

Mr. Kirby has been published in anthologies (including Legend Press’s Eight Rooms, and Ten Journeys, Nemonymous 8: Cone Zero, and Nemonymous 9: Cern Zoo from Megazanthus Press, and Graveside Tales’ Fried: Fast Food Slow Deaths), print journals (Sein und Werden, Jupiter 24, Skrev Press, and Champagne Shivers), and webzines (New Voices in Fiction, A Fly in Amber, Pumpkin, The Second Hand, Pages of Stories magazine, U.S. Short Story Library, and Underground).

Mr. Kirby is also a food/nightlife critic for a magazine based in his hometown of Leeds (U.K.) and a soccer correspondent for the Professional Footballer’s Association.

Book Reviews by A. J. Kirby

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“. . . the series’ crowning glory, its pinnacle achievement.”

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“. . . an astonishing, breathtaking, and harrowing read.”

It’s all about momentum with Cartwheel by Jennifer duBois.

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“. . . a fascinating read—sometimes terrifying, often witty, always engagingly written.”

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“Levels of Life is heartfelt and raw . . . angry . . . witty . . . always memorable.”

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“. . . that rarest of creatures: an intelligent and original lycanthrope novel. Perhaps the great werewolf novel.”

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“. . . [a] mean machine of a novel . . . an instant classic.”

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“. . . compulsive and engaging, . . . crackles with energy and wit . . .”

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It would be maddeningly easy to begin my review of Herman Koch’s The Dinner like this:

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“. . . in How Literature Saved My Life, Mr. Shields has written a great book—and one that matters.”

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“. . . what Lynn Coady shows is a different kind of truth, an artistic truth . . .”

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“Tom Wolfe has still got it. . . He presents the American Dream as it is today. And he does it very, very well.”

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“. . . daring . . . a story of the Promethean folly of human beings. . . . visceral . . . grueling . . .”

Chase Novak’s newly born Breed is not cute.

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“Wish You Were Here is a novel full of yearning for tradition and history. For what England has lost.”

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“. . . it’s hard not to love this book.”

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“. . . a heavenly book, a stellar achievement by a debut novelist . . . gleams with vitality, . . . sparkles with wit.”

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“With works such as Isaac: A Modern Fable under his belt, Ivan Goldman may not be a ‘minor novelist’ for very much longer.”

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“Vulture Peak is a modern morality tale with all the requisite bells and whistles and much more: a salutary warning for the Internet age.

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“The Sense of an Ending is something of a minor masterpiece.”

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“Sorry has all the ingredients to make it a compulsive read. It’s slick, chock full of twists and turns, and dripping with narrative thrust and intrigue. . . .

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“Ali Smith’s There But For The is a thoroughly modern book that plays with form, structure, and language, never allowing the reader to settle for comfortable passive reading; ultim

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“In Last Man in Tower, it is immediately apparent that author Adiga’s writing has matured.

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“Floating Staircase deserves to stand alongside a Stephen King or a Dean Koontz—at their best. . . .

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“Good writing can be so revolutionary that often it is not recognized in its own time.

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“The Submission is a brave novel. An unflinchingly honest novel. It is social reportage but also a piece of authentic art in its own right.

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“. . . head-spinning, rope-clutching, canvas gnashing . . . a hilarious contemporary farce, . . . genuinely hilarious. . . .

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“It must be said that behind all the bluster, Mr. Kleier’s message is one that everyone should know and live by . . .”

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Take note of this novel as you’re sure to hear about it again over the coming months.

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“A sad tale’s best for winter.”
The Winter’s Tale (II.i.25), by William Shakespeare

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On May 11 2010, the curtain well and truly rose on Stefanie Pintoff’s burgeoning crime fiction career, pulling her out of the shadows and into the limelight.

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Michael Connelly has a legitimate claim to being one of the greatest living writers of police procedurals.

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Pirates. Fast cars. Billionaire playboys. Boats. Guns and gun-smugglers. Explosions “fifty-five times more powerful than the bomb . . . dropped on Hiroshima.” Sex. Helicopters. Terrorists.

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On May 11 2010, the curtain well and truly rose on Stefanie Pintoff’s burgeoning crime fiction career, pulling her out of the shadows and into the limelight.

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Nicholas Evans is not a prolific writer. Not when compared to other writers of a similar standing who, like he, can generally be counted upon to shift a good number of books.

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William Gibson used to write science fiction.

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“We hear of crimes so horrific they provoke anger and disbelief in equal proportions . . . These are the ugly manifestations of a society that is becoming unworthy of that name.”

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The successful franchise series can be a double-edged sword for the ambitious writer.

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Inheritance: n.
1. The act of inheriting.
2. The biological process of genetic transference of characteristics from parents to offspring.

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“History is a nightmare from which I’m trying to awake.”

                                                             —James Joyce

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Sean Ferrell’s daring first novel, Numb, is a Barthian fable which endeavors to chart a course through the murky waters of sensory overload in the modern world.

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Imagine 1984 as narrated by Holden Caulfield. Imagine Caliban performing a star turn in a Ken Kesey’s One Flew Over the Cuckoo’s Nest.

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Yann Martel writes a great pear. A mouth watering pear. In his hands, the pear is transformed into something else, something beautiful, something that can barely be contained on the page.