“The book is neither a memoir nor an argument, but rather a scramble of recollections, anecdotes, and pronouncements about the movie business, spiced with off-color jokes a
Mike Hodge, a reporter with the Tribune in 1920s Chicago, sets off on a quest to find the person or persons responsible for the murder of his girlfriend, Annie Walsh.
In many circles it is highly recommended—and in most universities, required—that student actors read the volumes of scripture-like pronouncements by Stanislavsky, Brecht, Vakhtangov, Grotowski, an
